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New Selected PoemsEavan Boland10% off eBook (EPUB)
10% off Paperback
Categories: 21st Century, Irish, Women
Imprint: Carcanet Poetry Publisher: Carcanet Press Available as: Paperback (160 pages) (Pub. Oct 2013) 9781847772411 £12.95 £11.65 eBook (EPUB) Needs ADE! (Pub. Oct 2013) 9781847775061 £12.95 £11.65 To use the EPUB version, you will need to have Adobe Digital Editions (ADE) installed on your device. You can find out more at https://www.adobe.com/uk/solutions/ebook/digital-editions.html. Please do not purchase this version if you do not have and are not prepared to install, Adobe Digital Editions.
Athene’s Song
for my father From my father’s head I sprung Goddess of the war, created Partisan and soldiers’ physic – My symbols boast and brazen gong – Until I made in Athens wood Upon my knees a new music. When I played my pipe of bone, Robbed and whittled from a stag, Every bird became a lover Every lover to its tone Found the truth of song and brag; Fish sprung in the full river. Peace became the toy of power When other noises broke my sleep. Like dreams I saw the hot ranks And heroes in another flower Than any there; I dropped my pipe Remembering their shouts, their thanks. Beside the water, lost and mute, Lies my pipe and like my mind Remains unknown, remains unknown And in some hollow taking part With my heart against my hand Holds its peace and holds its own.
New Selected Poems includes the key poems from Eavan Boland’s remarkable half century of writing. It began with 23 Poems in 1962 and it has continued through more than a dozen collections, each finding new dimensions in language, history and in the body subject to passion and to time. She is indeed, as Elaine Feinstein described her in Poetry Review, ‘one of the finest and boldest poets of the last half-century’. Her critical writing, her poetry and example have made an emancipating difference to writing in Ireland. She remarked in an interview in 2000, ‘women are now writing the Irish poem across a very big register of new tones, new subjects, new approaches […], I think I was one of the poets who became convinced of the need for change.’
Author’s Note from New Territory 1967 Athene’s Song New Territory From the Painting Back from Market by Chardin Yeats in Civil War Belfast vs Dublin from The War Horse 1975 The War Horse The Famine Road Child of Our Time Suburban Woman The Laws of Love O Fons Bandusiae Cyclist with Cut Branches Song from In Her Own Image 1980 Anorexic In Her Own Image Making Up Tirade for the Mimic Muse from Night Feed 1982 Night Feed Domestic Interior Energies Monotony Endings After a Childhood Away from Ireland The Muse Mother Woman in Kitchen Patchwork or the Poet’s Craft Degas’s Laundresses It’s a Woman’s World The New Pastoral ‘Daphne with her thighs in bark’ The Woman Turns Herself into a Fish from The Journey 1987 I Self-Portrait on a Summer Evening Mise Eire The Oral Tradition Fever Lace I Remember The Bottle Garden Suburban Woman: A Detail The Briar Rose The Women Nocturne II The Journey Envoi III Listen. This is the Noise of Myth An Irish Childhood in England: 1951 Fond Memory The Emigrant Irish The Glass King from Outside History 1990 I Object Lessons The Black Lace Fan My Mother Gave Me The Rooms of Other Women Poets The Shadow Doll The Latin Lesson Bright-Cut Irish Silver II Outside History: A sequence I The Achill Woman II A False Spring III The Making of an Irish Goddess IV White Hawthorn in the West of Ireland V Daphne Heard with Horror the Addresses of the God VI The Photograph on My Father’s Desk VII We Are Human History. We Are Not Natural History VIII An Old Steel Engraving IX In Exile X We Are Always Too Late XI What We Lost XII Outside History III Distances Distances Midnight Flowers Our Origins Are in the Sea What Love Intended from In a Time of Violence 1994 The Singers I Writing in a Time of Violence: A sequence 1 That the Science of Cartography is Limited 2 The Death of Reason 3 March 1 1847. By the First Post 4 In a Bad Light 5 The Dolls Museum in Dublin 6 Inscriptions 7 Beautiful Speech II Legends This Moment Love The Pomegranate Moths In Which the Ancient History I Learn Is Not My Own The Parcel Lava Cameo Legends III Anna Liffey Anna Liffey Time and Violence A Woman Painted on a Leaf from The Lost Land 1998 I Colony: A Sequence 1 My Country in Darkness 2 The Harbour 3 Witness 4 Daughters of Colony 5 Imago 6 The Scar 7 City of Shadows 8 Unheroic 9 The Colonists 10 A Dream of Colony 11 A Habitable Grief 12 The Mother Tongue II The Lost Land The Lost Land Mother Ireland The Blossom Tree of Life The Necessity for Irony Heroic Whose? from Code 2001 I Marriage I In Which Hester Bateman, Eighteenth-Century English Silversmith, Takes an Irish Commission II Against Love Poetry III The Pinhole Camera IV Quarantine V Embers VI Then VII First Year VIII Once IX Thankëd be Fortune X A Marriage for the Millennium XI Lines for a Thirtieth Wedding Anniversary II Code Code Limits Limits 2 How We Made a New Art on Old Ground Making Money Exile! Exile! Is It Still the Same Irish Poetry from Domestic Violence 2007 Domestic Violence 1 Domestic Violence 2 How the Dance Came to the City 3 How It Was Once In Our Country 4 Still Life 5 Silenced 6 Histories 7 Wisdom 8 Irish Interior 9 In Our Own Country Letters to the Dead An Elegy for my Mother In Which She Scarcely Appears Amber And Soul On This Earth Letters to the Dead To Memory Becoming the Hand of John Speed Atlantis – A Lost Sonnet Becoming the Hand of John Speed Violence Against Women Instructions In Coming Days New Poems Art of Empire The Long Evenings of their Leavetakings Re-reading Oliver Goldsmith’s ‘Deserted Village’ in a Changed Ireland As Becoming Anne Bradstreet Cityscape A Woman Without a Country Index of First Lines Index of Titles
Awards won by Eavan Boland
Winner, 2020 Costa Poetry Award
(The Historians) Winner, 2017 Bob Hughes Lifetime Achievement Award
Praise for Eavan Boland
'[Citizen Poet] is wide-ranging, thrillingly combative, and evidence of an ambitious commitment to broadening poetry's scope of possibility -- and, in doing so, remaking its past. ... If poetry, especially Irish poetry, has become less lonely than it was when Boland first encountered it, that's thanks in no small part to her lifelong work.'
Declan Ryan, The Telegraph 'Eavan Boland's essays are the work of an ever-generous, insightful and knowing cartographer. No one articulates the complexities, challenges and nuances of being an Irish female poet like she does in these original, arresting and trailblazing essays. Citizen Poet is a must-read for anyone interested in poetry, identity and the responsibilities of the artist.' Victoria Kennefick 'Boland's essays remind us [...] of the change she helped bring about, which is nothing less than the redefinition and expansion of what Irish poetry â what any poetry â can be.' Heather Clark '...She has a dazzling gift for marrying the poem's narrative to its underlying considerations and themes, her carefully enacted restraint heightening the impact of the frequently stunning closing image.'
'The poems, all of them, have that familiar, spare, feel to them - the clarity of cold water, the measured cadence, the plain diction and the leaping insight so characteristic of her mature work - but there is grief here of a depth and of a kind that chills the heart... against the darkness that eddies and gathers in this, the last book we will have from her hand, there is indeed redemptive light'Maya C. Popa, Poetry Review Theo Dorgan, Dublin Review of Books 'This is a fitting tribute to a poet whose work has revised history as we know it and whose talent will be much missed.'
'The first poem in Boland's book, The Fire Gilder, is one of the best Irish poems of the past half-century.'Poetry Book Society Winter Bulletin Colm Tóibín, The Irish Times 'Truly consumable, enjoyable and emotive... all the things that great poetry should be.' Jasmine Reads, YouTube '[The Historians] zooms in with characteristic musicality and intelligence on what the stories that are often overlooked - those of women' Rishi Dastidar, The Guardian Poetry Books of the Year 2020 'It is, as came to be expected from Boland, filled with stories of ordinary Irish women, sensitively rendered in her understated verse. In revisiting the otherwise erased experiences of her subjects, Boland asks us to reconfigure our own understanding of the past, though she acknowledges the difficulties of that, too' The New Statesman 'There's a poignancy here that is hard to avoid... This modest collection is welcome and those who have not read Boland - few though they may be - will find here at least an introduction to her always-potent art. For others, it will serve as a coda to a poetic life well lived.' Books Ireland Magazine 'It feels, reading it in the wake of her death, to be unsettlingly prophetic, a fitting close to the life's work of a great poet' Seán Hewitt, The Irish Times '... a rich, unsettling moral adventure in memory and responsibility.' Theo Dorgan Eavan Boland's A Journey with Two Maps: Becoming a Woman Poet contains essays both personal and public written in a tone urgent and wise, with astute observations on her own trajectory as a poet and the work of Elizabeth Bishop, Sylvia Plath and Paula Meehan, among others. Colm Toibin, The Irish Times, Our Favourite Books of 2011
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