Carcanet Press - Quick Question

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Author
Contents
Awards
Reviews

In Quick Question John Ashbery extends an invitation to readers to accompany him into the extraordinary worlds of the everyday, experienced through the box of tricks that is language. He revels in twist and transformation, the constant mutability of words and things: ‘Whatever stops playing is the enemy of the incomplete’. He can stop us in our tracks with the accuracy of his perception: ‘Somewhere in America someone is trying to figure out / how to pay for this’. Aware of the paradoxes of his own writing, he teases us with questions: ‘Is it all doggerel and folderol?’ ‘Would I lie to you?’ Either way, his invitation is irresistible: come in, see what happens.

WORDS TO THAT EFFECT
QUICK QUESTION
THE SHORT ANSWER
CROSS ISLAND
THE ALLEGATIONS
REST AREA
RECENT HISTORY
A VOICE FROM THE FIREPLACE
IN DREAMS I KISS YOUR HAND, MADAME
THE NEW CROWD
IN A LONELY PLACE
MORE RELUCTANT
UNLIKE THE CAMELOPARD
RESISTING ARREST
WHO WERE THOSE PEOPLE
DOUBLE WHOOPEE
LIKE ANY LEAVES
THE COST OF SLEEP
ABSENT AGENDA
UNFIT TO STAND TRIAL
HOW I MET YOU
LAUGHING CREEK
THE QUEEN’ S APRON
HOMELESS HEART
GILDERSLEEVE ON BROADWAY
AUBURN-TINTED FENCES
THIS ECONOMY
FALSE REPORT
NORTHEAST BUILDING
ELECTIVE INIFNITIES
SUBURBAN BURMA
ETUDES SECOND SERIES
PUFF PIECE
SAPS AT SEA
TANGO AND SCHOTTISCHE
THE FOP'S TALE
A MODERN INSTANCE
BELLS II
FEEL FREE
FAR HARBOR
THE BICAMERAL EYEBALL
POEM BEGINNING WITH A LINE
FROM GAMMER GURTON'S NEEDLE
NOT BEYOND ALL CONJECTURE
INSTEAD OF LOSING
LAUNDRY LIST
PALMY
YOU WHAT?
SILENT AUCTION
CARD OF THANKS
MARI VAUDAGE
MARINE SHADOW
"BEYOND ALBANY AND SYRACUSE..."
NEVER TWO WITHOUT THREE
MABUSE'S AFTERNOON
THE RETURN OF FRANK JAMES
FIVE O’CLOCK SHADOW
THE FUTURE OF THE DANCE
WITHAL
IPHIGENIA IN SODUS
BACON GRABBERS
VIEWERS WILL RECALL
POSTLUDE AND PREQUEL
[UNTITLED: "CAN WE START AGAIN?"]

John Ashbery was born in Rochester, New York, in 1927. His books of poetry include Breezeway ; Quick Question ; Planisphere ; Notes from the Air: Selected Later Poems, which was awarded the 2008 International Griffin Poetry Prize; A Worldly Country ; Where Shall I Wander ; and Self-Portrait in ... read more

Awards won by John Ashbery Winner, 1997 Gold Medal for Poetry Winner, 2001 Wallace Stevens Award Winner, 1995 Robert Frost Medal Winner, 1976 National Book Critics Circle Award (Self Portrait in a Convex Mirror) Winner, 1976 National Book Award (Self Portrait in a Convex Mirror) Winner, 1976 Pulitzer Award (Self Portrait in a Convex Mirror)

'Quick Question, with the hushed intensity of its music and great lyric beauty, could only be Ashbery.'
Ian Thomson, Financial Times Praise for John Ashbery 'That Ashbery had these several extended works underway simultaneously testifies not only to his unflagging fealty to the form but also to his extravagantly various powers of invention and intelligence... Even as the references that undergird these projects range from the reassuringly familiar to the dauntingly obscure, as is typical with Ashbery, they characterize a rarefied mental atmosphere, one in which the poet's droll self-awareness deflates what otherwise might be pretension... Ashbery recognized the porous border between decision and delusion, between finality and its seeming appearance. This collection of unfinished works allows readers to tread that border as well.'

Albert Mobilio, Poetry

'This is an exciting missing piece of the jigsaw for Ashbery enthusiasts. Here language fizzes with a vital "off-kilter quality" and an Ashberian state of open-ended possibility.'

The Poetry Book Society Summer Bulletin

'I'll keep returning to The Wave, knowing that each time I do, I'll connect with poems, and lines in poems, I haven't noticed before and recconect with those that have resonated already'
Pam Thompson, The North
'John Ashbery's final collection of poetry disguises itself well as a mid-career high. The energy and modernity of his strange little worlds tell nothing of his age.'
Stand Magazine

  'More than a century after Arthur Rimbaud composed his Illuminations they are reborn in John Ashbery's magnificent translation. It is fitting that the major American poet since Hart Crane and Wallace Stevens should give us this noble version of the precursor of all three.'
Harold Bloom
'A fine collection of poems rooted in 21st-century America.'
Robert McCrum, The Observer
  'More than a century after Arthur Rimbaud composed his Illuminations they are reborn in John Ashbery's magnificent translation. It is fitting that the major American poet since Hart Crane and Wallace Stevens should give us this noble version of the precursor of all three.'
Harold Bloom
The book invites the reader to poetic gluttony. It serves as a corrective to the monoglot provincialism by which the Anglophone world is still bedevilled.
Sean O'Brien, Independent 'The lyrics in Breezeway, a new collection by the octogenarian poet John Ashbery are as good as his finest. I especially like the final poem, poignantly reprising the last line of Keats' Ode to a Nightingale', "Do I wake or sleep?"'
Salley Vickers, The Observer - The New Review, 29.11.2015.
  'John Ashbery's Collected Poems 1956-1987, edited by Mark Ford (Carcanet), was a book I found inexhaustible. Possibly the greatest living English-speaking poet and one of the most prolific, Ashbery takes language to its limits, so that words serve as pointers to shifting experiences that elude description. Containing his masterpiece 'Self-Portrait In A Convex Mirror', one of the most penetrating 20th-century meditations on what it means to be human, this collection succeeded in stirring my thoughts as well as delighting me.'
John Gray The Guardian Books Of The Year 2010
   'The careering, centrifugal side of Girls on the Run is one of its most effective tools in creating its special ainbience of good-humoured menace ... Ashbery has made the slush of signification, the realm where words slip, slide, perish and decay, uniquely his own.'
David Wheatley, Times Literary Supplement, 30 June, 2000
   'In his seventies John Ashbery offers a sprightly and energetic alternative. Instead of being sluggish he demands that the self must be even more alert, more vigilant, more attentive to the world around it, not indifferent to and weary of it. Alert, vigilant, attentive ... Wakefulness, the brilliantly evocative title of Ashbery's collection.'
Stephen Matterson, 'The Capacious Art of Poetry,' Poetry Ireland Review 62, 114
    'The Mooring of Starting Out is filled with illustrations glimpsed through luminous, funny, formidably intelligent and often heartbreaking poems.'
Andrew Zawacki, 'A wave of music,' Times Literary Supplement, 12 June, 1998

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Quick Question John Ashbery Categories: 21st Century, American, LGBTQ+ Imprint: Carcanet Poetry Publisher: Carcanet Press Available as: Paperback (128 pages) (Pub. Jan 2013) 9781847772282 Out of Stock Description Author Contents Awards Reviews In Quick Question John Ashbery extends an invitation to readers to accompany him into the extraordinary worlds of the everyday, experienced through the box of tricks that is language. He revels in twist and transformation, the constant mutability of words and things: ‘Whatever stops playing is the enemy of the incomplete’. He can stop us in our tracks with the accuracy of his perception: ‘Somewhere in America someone is trying to figure out / how to pay for this’. Aware of the paradoxes of his own writing, he teases us with questions: ‘Is it all doggerel and folderol?’ ‘Would I lie to you?’ Either way, his invitation is irresistible: come in, see what happens. WORDS TO THAT EFFECT QUICK QUESTION THE SHORT ANSWER CROSS ISLAND THE ALLEGATIONS REST AREA RECENT HISTORY A VOICE FROM THE FIREPLACE IN DREAMS I KISS YOUR HAND, MADAME THE NEW CROWD IN A LONELY PLACE MORE RELUCTANT UNLIKE THE CAMELOPARD RESISTING ARREST WHO WERE THOSE PEOPLE DOUBLE WHOOPEE LIKE ANY LEAVES THE COST OF SLEEP ABSENT AGENDA UNFIT TO STAND TRIAL HOW I MET YOU LAUGHING CREEK THE QUEEN’ S APRON HOMELESS HEART GILDERSLEEVE ON BROADWAY AUBURN-TINTED FENCES THIS ECONOMY FALSE REPORT NORTHEAST BUILDING ELECTIVE INIFNITIES SUBURBAN BURMA ETUDES SECOND SERIES PUFF PIECE SAPS AT SEA TANGO AND SCHOTTISCHE THE FOP'S TALE A MODERN INSTANCE BELLS II FEEL FREE FAR HARBOR THE BICAMERAL EYEBALL POEM BEGINNING WITH A LINE FROM GAMMER GURTON'S NEEDLE NOT BEYOND ALL CONJECTURE INSTEAD OF LOSING LAUNDRY LIST PALMY YOU WHAT? SILENT AUCTION CARD OF THANKS MARI VAUDAGE MARINE SHADOW "BEYOND ALBANY AND SYRACUSE..." NEVER TWO WITHOUT THREE MABUSE'S AFTERNOON THE RETURN OF FRANK JAMES FIVE O’CLOCK SHADOW THE FUTURE OF THE DANCE WITHAL IPHIGENIA IN SODUS BACON GRABBERS VIEWERS WILL RECALL POSTLUDE AND PREQUEL [UNTITLED: "CAN WE START AGAIN?"] John Ashbery was born in Rochester, New York, in 1927. His books of poetry include Breezeway ; Quick Question ; Planisphere ; Notes from the Air: Selected Later Poems, which was awarded the 2008 International Griffin Poetry Prize; A Worldly Country ; Where Shall I Wander ; and Self-Portrait in ... read more Awards won by John Ashbery Winner, 1997 Gold Medal for Poetry Winner, 2001 Wallace Stevens Award Winner, 1995 Robert Frost Medal Winner, 1976 National Book Critics Circle Award (Self Portrait in a Convex Mirror) Winner, 1976 National Book Award (Self Portrait in a Convex Mirror) Winner, 1976 Pulitzer Award (Self Portrait in a Convex Mirror) 'Quick Question, with the hushed intensity of its music and great lyric beauty, could only be Ashbery.' Ian Thomson, Financial Times Praise for John Ashbery 'That Ashbery had these several extended works underway simultaneously testifies not only to his unflagging fealty to the form but also to his extravagantly various powers of invention and intelligence... Even as the references that undergird these projects range from the reassuringly familiar to the dauntingly obscure, as is typical with Ashbery, they characterize a rarefied mental atmosphere, one in which the poet's droll self-awareness deflates what otherwise might be pretension... Ashbery recognized the porous border between decision and delusion, between finality and its seeming appearance. This collection of unfinished works allows readers to tread that border as well.' Albert Mobilio, Poetry 'This is an exciting missing piece of the jigsaw for Ashbery enthusiasts. Here language fizzes with a vital "off-kilter quality" and an Ashberian state of open-ended possibility.' The Poetry Book Society Summer Bulletin 'I'll keep returning to The Wave, knowing that each time I do, I'll connect with poems, and lines in poems, I haven't noticed before and recconect with those that have resonated already' Pam Thompson, The North 'John Ashbery's final collection of poetry disguises itself well as a mid-career high. The energy and modernity of his strange little worlds tell nothing of his age.' Stand Magazine 'More than a century after Arthur Rimbaud composed his Illuminations they are reborn in John Ashbery's magnificent translation. It is fitting that the major American poet since Hart Crane and Wallace Stevens should give us this noble version of the precursor of all three.' Harold Bloom 'A fine collection of poems rooted in 21st-century America.' Robert McCrum, The Observer 'More than a century after Arthur Rimbaud composed his Illuminations they are reborn in John Ashbery's magnificent translation. It is fitting that the major American poet since Hart Crane and Wallace Stevens should give us this noble version of the precursor of all three.' Harold Bloom The book invites the reader to poetic gluttony. It serves as a corrective to the monoglot provincialism by which the Anglophone world is still bedevilled. Sean O'Brien, Independent 'The lyrics in Breezeway, a new collection by the octogenarian poet John Ashbery are as good as his finest. I especially like the final poem, poignantly reprising the last line of Keats' Ode to a Nightingale', "Do I wake or sleep?"' Salley Vickers, The Observer - The New Review, 29.11.2015. 'John Ashbery's Collected Poems 1956-1987, edited by Mark Ford (Carcanet), was a book I found inexhaustible. Possibly the greatest living English-speaking poet and one of the most prolific, Ashbery takes language to its limits, so that words serve as pointers to shifting experiences that elude description. Containing his masterpiece 'Self-Portrait In A Convex Mirror', one of the most penetrating 20th-century meditations on what it means to be human, this collection succeeded in stirring my thoughts as well as delighting me.' John Gray The Guardian Books Of The Year 2010 'The careering, centrifugal side of Girls on the Run is one of its most effective tools in creating its special ainbience of good-humoured menace ... Ashbery has made the slush of signification, the realm where words slip, slide, perish and decay, uniquely his own.' David Wheatley, Times Literary Supplement, 30 June, 2000 'In his seventies John Ashbery offers a sprightly and energetic alternative. Instead of being sluggish he demands that the self must be even more alert, more vigilant, more attentive to the world around it, not indifferent to and weary of it. Alert, vigilant, attentive ... Wakefulness, the brilliantly evocative title of Ashbery's collection.' Stephen Matterson, 'The Capacious Art of Poetry,' Poetry Ireland Review 62, 114 'The Mooring of Starting Out is filled with illustrations glimpsed through luminous, funny, formidably intelligent and often heartbreaking poems.' Andrew Zawacki, 'A wave of music,' Times Literary Supplement, 12 June, 1998 You might also be interested in: PLACE Jorie Graham Odd Blocks Kay Ryan Between Two Windows Oli Hazzard	Share this... Quick Links Carcanet Poetry Carcanet Classics Carcanet Fiction Carcanet Film Lives and Letters PN Review Video Carcanet Celebrates 50 Years! The Carcanet Blog One Little Room: Peter McDonald read more Collected Poems: Mimi Khalvati read more Invisible Dog: Fabio Morbito, translated by Richard Gwyn read more Dante's Purgatorio: Philip Terry read more Billy 'Nibs' Buckshot: John Gallas read more Emotional Support Horse: Claudine Toutoungi read more
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