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New Collected PoemsCharles Tomlinson10% off
Categories: 20th Century, British
Imprint: Carcanet Poetry Publisher: Carcanet Press Available as: Paperback (Pub. Jul 2009) 9781903039946 £30.00 £27.00
Charles Tomlinson’s New Collected Poems gathers a lifetime’s work, from the 1950s to 2006. A poet deeply responsive to English landscape, grounded in the poetry of Wordsworth and Coleridge, Tomlinson is also a writer of international renown, with wide-ranging interests in European and American poets, many of whom he has edited and translated. Collected Poems is an enriching journey across continents and literatures, friendships, collaborations and experiments, always with an eye keen for new places and possibilities. Tomlinson’s poetry is witty and luminous, marked by precise observation and language, alert to surfaces and depths, to the local and the universal.
Cover image: Janus Figure by Charles Tomlinson. Cover design by StephenRaw.com
Contents
Relations and Contraries (1951) Poem (‘Wakening with the window over fields’) The Necklace (1955, 1966) Aesthetic Venice Nine Variations in a Chinese Winter Setting Eight Observations on the Nature of Eternity Suggestions for the Improvement of a Sunset Sea Change Through Binoculars Montage Dialogue Flute Music The Bead The Art of Poetry Observation of Facts Fiascherino Seeing is Believing (1958, 1960) The Atlantic Winter Encounters Reflections Oxen: Ploughing at Fiesole The Mediterranean Distinctions Variant on a Scrap of Conversation Icos How Still the Hawk Object in a Setting The Mausoleum Glass Grain Gli Scafari Tramontana at Lerici Northern Spring The Gorge On a Landscape by Li Ch’eng The Crane Paring the Apple Rose-hips More Foreign Cities At Delft The Jam Trap Poem (‘Upended, it crouches on broken limbs’) A Meditation on John Constable Frondes Agrestes Geneva Restored Farewell to Van Gogh Cézanne at Aix In Defence of Metaphysics Reeds The Shell Night-Piece: The Near and the Far At Holwell Farm On the Hall at Stowey Stone Walls: At Chew Magna Cradock Newton: From an Epitaph The Castle Sconset Civilities of Lamplight Fire in a Dark Landscape The Request The Ruin Aqueduct Encounter Antecedents: A Homage and Valediction I Nothing: A Divagation II Praeludium III Lacunae IV Milieux V The Bells: A Period Piece VI Something: A Direction The Churchyard Wall Epitaph A Peopled Landscape (1963) A Prelude Return to Hinton Winter-Piece History Lines Canal John Maydew or The Allotment Steel Crow Walking to Bells The Farmer’s Wife: At Fostons Ash The Hand at Callow Hill Farm Harvest Festival: At Ozleworth The Picture of J.T. in a Prospect of Stone Four Kantian Lyrics 1 On a Theme of Pasternak 2 What It Was Like 3 An Insufficiency of Earth 4 How It Happened Up at La Serra Rhenish Winter The Archer At Wells: Polyphony Sea Poem Maillol Flame Head Hewn with an Axe Last Judgement The Beech (‘Nakedly muscular, the beech no longer regrets’) The Tree (‘I had seen a tree before’) The Gossamers The Barometer Cloud Change Letter from Costa Brava Chaconne for Unaccompanied Violin Ship’s Waiters The Flight Over Brooklyn Bridge Ode to Arnold Schoenberg American Scenes and Other Poems (1966) Face and Image The Snow Fences The Fox Bone The Door The Weathercocks A Given Grace Saving the Appearances In Winter Woods 1 Snow Sequence 2 The Meeting 3 Nocturnal 4 Focus The Cavern Arizona Desert A Death in the Desert On the Mountain Las Trampas USA Arroyo Seco Old Man at Valdez Mr Brodsky Chief Standing Water At Barstow Arizona Highway Two Views of Two Ghost Towns Ute Mountain In Connecticut Maine Winter Letters from Amherst In Longfellow’s Library On Eleventh Street A Garland for Thomas Eakins The Well (‘Leaning on’) On a Mexican Straw Christ On the Tlacolula Bus The Oaxaca Bus Constitution Day The Bootblack Theory of Regress In Michoacán Weeper in Jalisco Landscape Idyll Small Action Poem The Way of a World (1969) Swimming Chenango Lake Prometheus A Dream A Word in Edgeways Eden (‘I have seen Eden. It is a light of place’) Adam Night Transfigured Assassin Against Extremity In the Fullness of Time Music’s Trinity Logic The Way of a World Descartes and the Stove The Question (‘Having misread the house, “What’) The View Weatherman On the Principle of Blowclocks Clouds Words for the Madrigalist Anecdote Arroyo Hondo The Matachines Before the Dance A Sense of Distance The Instance A Little Night Music The Awakening The Windshield Last Days of the Miser Rumour Terminal Tramps The Fox Gallery Frost (‘clings to the shadows, a wan silhouette’) Composition The Beautiful Aeroplane To be Engraved on the Skull of a Cormorant Gull Oppositions Autumn (‘The civility of nature overthrown’) Tout Entouré de Mon Regard Skullshapes The Daisies Poem (‘The muscles which move the eyeballs’) Ceci n’est pas une pipe A Process The Chances of Rhyme The End Written on Water (1972) On Water Mackinnon’s Boat The Thief’s Journal Rower The Lighthouse Two Poems on Titles Proposed by Octavio and Marie José Paz I Le Rendez-Vous des Paysages II La Promenade de Protée Stone Speech The Sea is Open to the Light Variation on Paz The Compact: At Volterra Two Poems of Lucio Piccolo I Unstill Universe II Veneris Venefica Agrestis At Sant’ Antimo Tarquinia Santa Maria delle Nevi The Square Ariadne and the Minotaur Machiavelli in Exile Hawks Of Beginning Light Carscape Drive Legend (‘Midas eyes the seasonable glints’) Autumn Piece The White Van In October Urlicht Poem (‘space’) Appearance Ars Poetica Mélisande Dialectic The Night-Train Event Comedy Three Wagnerian Lyrics I Liebestod II The Potion III Good Friday Over Elizabeth Bridge: A Circumvention In Memoriam Thomas Hardy Remembering Williams The Apparition Juliet’s Garden Against Portraits Green Quinces During Rain Elegy for Henry Street Mistlines Movements Curtain Call The Way In and Other Poems (1974) The Way In Night Ride At Stoke Hokusai on the Trent Etruria Vale Gladstone Street Dates: Penkhull New Road Portrait of the Artist I Portrait of the Artist II The Tree (‘This child, shovelling away’) Midlands In the Ward The Marl Pits Class The Rich Bridges At Saint Mary’s Church In a Brooklyn Park Under the Moon’s Reign Foxes’ Moon After a Death Elemental In December (‘Cattle are crowding the salt-lick.’) Hyphens In March Discrepancies The Last of Night The Witnesses Hill Walk Lacoste How Far Tiger Skull The Greeting The Insistence of Things Idrigill Of Lady Grange The Promise Marine Rubh An’ Dunain Couplet Beethoven Attends the C Minor Seminar Consolations for Double Bass Melody Da Capo The Shaft (1978) Charlotte Corday Marat Dead A Self-Portrait: David For Danton Lines Written in the Euganean Hills Death in Venice Near Corinium Casarola Portobello Carnival 1973 Prose Poem Departure Images of Perfection Rhymes The Perfection The Hesitation The Faring The Metamorphosis Below Tintern Providence (‘It is May: “A bad winter”’) Mushrooms In the Intensity of Final Light The Spring Symphony Nature Poem The Whip To See the Heron One Day of Autumn October Old Man’s Beard …Or Traveller’s Joy In the Balance The Death of Will A Night at the Opera In the Studio Misprint Maintenant Sky Writing (‘A plane goes by’) Into Distance Embassy The Race In Arden The Roe Deer The Shaft De Sole Macduff Tree The Gap The Scream Translating the Birds The Scar At Dawn The Flood (1981) Snow Signs Their Voices Rang The Double Rainbow For Miriam The Recompense Poem (‘It falls onto my page like rain’) In April The Order of Saying The Lesson Hay The Conspiracy The Gate At the Edge The Near and the Far Albuquerque Jemez Cochiti Abiquiu Quarai Under the Bridge Cronkhite Beach Poolville, NY Parsnips Programme Note On a Pig’s Head Ritornello San Fruttuoso Above Carrara Fireflies Thunder in Tuscany Giovanni Diodati On a May Night Instead of an Essay Barque Nornen The Littleton Whale The Flood Severnside In the Estuary The Epilogue Notes from New York and Other Poems (1984) The Landing Above Manhattan At the Trade Center On Madison What Virginia Said Crossing Brooklyn Ferry In Verdi Square Lament for Doormen All Afternoon The Arrival Byzantium The Mirror in the Roadway Hero Sandwiches Of the Winter Ball Game Ice Cream at Blauenberg From the Motorway To Ivor Gurney The Question (‘The curve of lamps that climbs into the dark’) Black Brook Poem for my Father The Journey The Arch Hedgerows The Shout High Summer The Quarry The Beech (‘Blizzards have brought down the beech tree’) After the Storm Confluence In December (‘The fog, as it enters the lowland, is smoothing away’) At a Glance The Glacier Night Fishers Near Hartland Morwenna’s Cliff Near Ceibwr At the Hill Fort The Moment Writing on Sand Van Gogh Legend (‘The hill-top schloss’) The Sound of Time History of a Malady Desert Autumn Mictlantecuhtli At Trotsky’s House Los Pobrecitos Teotihuacán Valle de Oaxaca Sight and Flight The Return (1987) In the Borghese Gardens Revolution Fountain In San Clemente In the Gesù The Wind from Africa The Return I The Road II Between Serra and Rocchetta III Graziella IV Th e Fireflies Tyrrhenian Travelling Palermo Catacomb The Unpainted Mountain The Miracle of the Bottle and the Fishes Soutine at Céret Self-Portrait The Peak Netherlands Anniversary In Memory of George Oppen In Oklahoma Interpretations At Chimayó The Tax Inspector At Huexotla Machu Picchu Winter Journey Heron (‘Metamorphosed’) The Harbinger A Rose for Janet February (‘In the month-long frost, the waters’) Mid-March From Porlock The Well (‘We loosen the coping-stone that has sealed for years’) Coombe Hearing the Ways What Next? The Night Farm The Hawthorn in Trent Vale The Way Through Night Ferry Ararat Annunciations (1989) Annunciation The Blade Variation In New Mexico Above the Rio Grande The Santa Fe Railroad Parking Lot Ailanthus Catalpa Acoma: The Round-Up Here and There The Plaza In the Emperor’s Garden Hudson River School Along the Mohawk Pines In the Steps of Emily Carr North with Lawren Harris Far Point Algoma Lines Written in the Bay of Lerici The Labyrinth Carrara Revisited The House in the Quarry At the Autumn Equinox Oxen The Butterflies Chronochromie Ruskin Remembered A Ruskinian Fable Retold: Courtesy Bluebells Harvest The Garden Letter to Uehata Apples Painted Winter The Cycle Two Poems for Fay Godwin I Leaping Lurcher Felix Randal Music and the Poet’s Cat Ode to Dmitri Shostakovich Moonrise Orion over Farne Chance The Headland For a Godchild The Door in the Wall (1992) The Operation The Clearance Siena in Sixty-Eight Paris in Sixty-Nine In a Cambridge Garden Tübingen Blaubeuren Campos de Castilla The Door in the Wall At Bob Lucid’s Place At Hanratty’s Ode to San Francisco Porto Venere September Swamp The House on the Susquehanna North Geese Going South Upstate The Stair The Trees Fire December (‘They are decorating their concrete houses’) Haçienda The Autograph Tree Crossing Aguadilla From Gloucestershire Sight and Sound A Glade The Choice On the Shannon In a Cornish Church Response to Hopkins Hartland Cliff Song Second Song February (‘February is the mad month for the fox, the wind’) The Broom On a Passage from Hardy’s Life A Note Left on Finding Two People Asleep Before the Concert The Prisoner On a Collage of Marie José Paz On a Glass Engraving by Peter David Portraits of Hands: Hals On a Dutch Picture The Discovery Lunar The Morning Moon Picking Mushrooms by Moonlight Jubilation (1995) For a Granddaughter 1 On the Terrace 2 To Be Read Later On 3 Jessica Learned to Kiss 4 After Hugo 5 Pavane for a Live Infanta 6 To My Daughter Against Travel The Cypresses Lago di Como Varenna Asolo To Vasko Popa in Rome San Carlo ai Catinari Roman Fugue Gutenberg and the Grapes Horizons Valestrieri Down from Colonnata A Retrospect: 1951–91 Portuguese Pieces 1 Alto Minho 2 Ponte de Lima 3 Soajo 4 Swallows 5 Oporto: St John’s Eve 6 In Lisbon 7 Tagus, Farewell Zipangu 1 The Pines at Hakone 2 Heron (‘The river crosses the city over a series of falls’) 3 Shugakuin Garden 4 Yamadera 5 Epilogue Interior Snapshot The Improvement To a Yorkshireman in Devon Crossing the Moor Hay Tor Jubilación Durham in March Near Bickering Autumn (‘Neither pink nor brown’) Weather Report Cosmology December (‘Frost followed frost, each colder’) The Track of the Deer To a Photographer The Shadow Walks Transaction at Mallards Pike The Song of Adam To a Christian Concerning Ivor Gurney 9 a.m. Knowledge (‘I want the knowledge of afternoon as it recedes’) On the Late Plane The Vineyard Above the Sea (1999) Verse A Festivity Mythology In Abruzzo Trebiano The Vineyard Above the Sea Fonte Gaia News Oporto Rua do Carriçal The Green Balloon Hellas 1 Kéa 2 Apollo at Delphi 3 Epidauros 4 Fragment 5 Olympia 6 Pastoral 7 Like Greek Prose 8 From the Greek 9 In the Cathedral 10 Melville on the Acropolis 11 Homecoming On the Dunes Shorelines Directions In the Room The Gift (‘The allée I call it. It is scarcely that’) Poem (‘The great cloud-barrier, building’) For Want of Seraphim Measure Wall Snowbound Blackthorn Winter Drawing Down the Moon Storm Song The Tree House The Blossom Listening to Leaves Gibbet In Winter The Sisters To Modulate The First Death Another Summer To Robert Creeley in the Judaean Desert Then In Memoriam Ángel Crespo MacDiarmid History of a House By Night Skywriting (2003) Skywriting (‘Three jets are streaking west’) Mexico: A Sequence I Mexico II Tenochtitlán III Xochimilco A Visit to Don Miguel Waiting for the Bus A Fragment from Mexico From the Plane Piazza In Ferrara The Etruscan Graveyard at Marzabotto In June The Runners at San Benedetto July on the High Plain The Journey: Pescocostanzo–Roma Roma I Monte del Gallo II At Tivoli III Liszt at the Villa d’Este IV In the Park Piazza Navona Farewell to Europa Japanese Notebook To Shizue For Nōrikō Macao On Lantau Island Waiting for John Bristol Night Walk Death of a Poet For T.H. Cotswold Journey Spem in Alium Trout Track Slow Down Newark Park: An Upward Glance Reflection In the Hallway A Riddle The Even Numbers If Bach Had Been a Beekeeper The Gift (‘A man stepped out of the field’) Midwinter The Transformation Ode to Memory The Leaper Fire and Air Primal Fire Knowledge (‘The nicks in the panes of each window square’) Watching Water Along this Stream Floodtime The Martins Tonight Cracks in the Universe (2006) Above the City A View from the Shore New Jersey–New York A Name on the Map The Upstate Freeze Apples Four for David Smith 1 Interior for Exterior 2 The Timeless Clock 3 Hudson River Landscape 4 Bolton Landing Recalling Orson Welles Providence (‘Morning shadows waiting to surprise us’) Thomas Jones in Naples, 1782 Stellar Friendship The Pupil La Rochelle Monet’s Giverny Les Joueurs de Football Bread and Stone Fantasia in Limestone Choice Pebble Chinchón November in Aranjuez Santiago de Compostela The Portuguese Ox Lessons 1 On a Picture of Burslem by Leonard Brammer 2 The Fruits of Ignominy 3 The Bicycle 4 In Memory of Agnes Beverley Burton 5 To Nora Christabel Pennet 6 The Boy on the Sick-Bed The Photograph Little Eve and the Miners In ’35 I Was a Child Aubade Seasons In the Valley Tree Talk Dragonflies Swifts In Autumn In January The Rain Is Over Jaws Across the Dark Westminster Bridge from the Eye In the Wind Returning In the Mirror A Rose from Fronteira Return to Valestrieri Mandarinas November Morning Frost (‘The sky is blank with a single vapour trail’) On Snow Resemblances In a Glass of Water Vessel The Holy Man Inheritance Nocturne The Way Back M62 A Ballad of Iole and Dryope An Ovidian Ballad Eden (‘There was no Eden’) Index of Titles Index of First Lines
Awards won by Charles Tomlinson
Winner, 2003 New Criterion Poetry Prize (Skywriting)
'He has divided his line according to a new measure learned, perhaps, for a new world. It gives a refreshing rustle or seething to the words which bespeak the entrance of a new life'.
William Carlos Williams 'Against the word as spectacle, Tomlinson opposes the concept -- a very English one -- of the world as event...He is fascinated -- with his eyes open: a lucid fascination -- by the universal busyness, the continuous generation and degeneration of things'. Octavio Paz 'Tomlinson insists, and he has a right to insist, that he is as authentic a voice of modern Britain as Larkin is. Only in the great poets is content so intimately married to form'. Donald Davie Praise for Charles Tomlinson 'Charles Tomlinson has been probably the foremost poet of truly international distinction writing in England between the 1950s and the opening years of the Twenty-first Century.' Ian Brinton, Tears in the Fence 'It is entirely appropriate that David Morley should have chosen the title Swimming Chenango Lake for this book and the poem of that name, written in September 1967, stands as 'Prologue' to a volume which will at last place Charles Tomlinson's name at the forefront of the poetry of the twentieth century.' Ian Brinton, The London Magazine 'Tomlinson was a wide-ranging poet. His technical scope includes free form and more traditional structures, and he is a master of both. They cohabit enrichingly in Swimming Chenango Lake... a finely chosen collection for existing enthusiasts and an excellent introduction for newcomers.' Carol Rumens, The Guardian 'His poetry stuns us by its formal rigour, its punctiliousness, its syntactical mastery, its long, building effects. Unmissable.' Michael Glover, The Tablet 'Tomlinson is one of the most astute, disciplined, and lucent poets of his generation. His quiet, meditative voice will reverberate on both sides of the Atlantic for a long time to come.' Edward Hirsch 'Tomlinson's work and his new volume achieve balance, synthesis and wonderful expression. Add to this that he is also very funny, and I trust you have abandoned any reason not to buy the book. Let's be proud of him.' David Morley, the Guardian 'Tomlinson has an international reputation as a poet and translator. He is also a painter and brings his artist's eye to his poetry, drawing out exact lines, creating luminous imagery that is still touched by a sense of mystery. Please read him...his collection Seeing is Believing is one of my all-time favourites.' Sion Hamilton, The Bookseller pick of 2006.
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