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Modern Canadian Poets: An AnthologyPoems in EnglishEdited by Todd Swift and Evan Jones
Categories: 21st Century, Anthologies, Canadian
Imprint: Carcanet Poetry Publisher: Carcanet Press Available as: Paperback (220 pages) (Pub. Nov 2010) 9781857549386 Out of Stock
Including poetry by:
A.M. Klein Anne Wilkinson Irving Layton George Johnston Margaret Avison David Wevill Eric Ormsby Norm Sibum Marius Kociejowski Anne Carson Dionne Brand George Elliott Clarke Steven Heighton
Cosmopolitan, hybrid and eloquent, modern Canadian poetry is still, for many readers outside Canada, one of the great undiscovered terrains of world literature. Modern Canadian Poets sets out to end that neglect, redefining the connections between Canada and the international poetry world. From poets born in the early years of the twentieth century to those writing in the twenty-first, Modern Canadian Poets explores a lineage of modernist, multilingual, culturally pluralist writers who have engaged with other English- and French-speaking traditions in new ways, to make a literature that is unmistakably Canadian and international.
The thirty-five poets included represent a wide spectrum of Canadian poetry of the last hundred years in its variety of styles and traditions. Among them are French Canadian poets in translations by anglophone writers, and poets from the First Nations, Caribbean-Canadian and Africadian communities. From their vantage point as Canadian poets living outside Canada, Evan Jones and Todd Swift draw a new map of this unique literary landscape.
Introduction
W.W.E. ROSS (1894–1966) The Diver The Old Song Moonlight By the River The Vessel The City ALFRED BAILEY (1905–1997) The Unreturning The Isosceles Lighthouse The Question, Is It? Border River Miramichi Lightning The Bumpkin and the Bobcat A.M. KLEIN (1909–1972) The Rocking Chair Portrait of the Poet as Landscape Montreal Lone Bather Heirloom JOHN GLASSCO (1909–1981) Quebec Farmhouse Brummell at Calais The Game [Autrefois] [A propos de cet enfant] ANNE WILKINSON (1910–1961) Lullaby Lens Little Men Slip into Death Nature Be Damned A Cautionary Tale TV Hockey IRVING LAYTON (1912–2006) Berry Picking Keine Lazarovitch 1870-1959 Marché Municipale GEORGE JOHNSTON (1913–2004) Firefly Evening The Pool War on the Periphery The Bargain Sale Spring Moon October DOUGLAS LEPAN (1914–1998) Nimbus The Wounded Prince Coureurs de Bois Canoe-Trip ANNE HÉBERT (1916–2000) The Closed Room Mystery of the Verb Snow Too Tightly Fitted Captive Gods P.K. PAGE (1916–2010) Cry Ararat! Planet Earth After Rain Arras Man with One Small Hand JOAN MURRAY (1917–1942) You Talk of Art Even the Gulls of the Cool Atlantic An Epithalamium Men and Women Have Meaning Only as Man and Woman MARGARET AVISON (1918–2007) Watershed Twilight The Christian’s Year in Miniature Natural/Unnatural Transit DON COLES (b. 1927) Photograph in a Stockholm Newspaper for March 13, 1910 How We All Swiftly My Son at the Seashore, Age Two Someone Has Stayed in Stockholm On a Caspar David Friedrich Painting Entitled ‘Two Men Observing the Moon’ RICHARD OUTRAM (1930–2005) At the Bijou Creature Becoming Uneasy in Native Element Turtle Childhood Barbed Wire De Rerum Natura JAY MACPHERSON (b. 1931) Ordinary People in the Last Days The Marriage of Earth and Heaven Phoenix Abominable Snowman The Fisherman The Beauty of Job’s Daughters DAVID WEVILL (b. 1935) The Birth of a Shark I Think I Am Becoming Myself A Legend August Diamonds DARYL HINE (b. 1936) A Bewilderment at the Entrance of the Fat Boy into Eden Psyche Patroclus Putting on the Armour of Achilles Total Immersion Summer Afternoon An Adolescent JOHN THOMPSON (1938–1976) from Stilt Jack ERIC ORMSBY (b. 1941) Flamingos Origins The Caliph Adages of a Grandmother from Hommage à Robert Melançon ROBERT ALLEN (1946–2006) The Newt’s Song Alexandria’s Waltz from The Encantadas ROBERT BRINGHURST (b. 1946) Essay on Adam Bone Flute Breathing Herakleitos The Beauty of the Weapons ANNE COMPTON (b. 1947) What Light Decays Six Sisters How We Care for Trees in Winter We Go Forward What Matters A.F. MORITZ (b. 1947) Artisan and Clerk The Helmet Kissinger at the Funeral of Nixon Place Old Pet NORM SIBUM (b. 1947) Hypatia MARIUS KOCIEJOWSKI (b. 1949) Dinu Lipatti plays Chopin’s Sonata in B Minor ROBYN SARAH (b. 1949) The Unharmed Courtney, Mentioned in Passing, Years After Bounty Night Visit Day Visit ANNE CARSON (b. 1950) Essay on What I Think About Most Father’s Old Blue Cardigan Funeral Marches Night Confession MARY DALTON (b. 1950) Flirrup Jesus and his Gashes Burn Fairy-Struck Il Dolce Stil Novo DANIEL DAVID MOSES (b. 1952) Grandmother of the Glacier Crow Out Early Story from the Mouths on a Beach An Offering of Frost Complaint of the Strawberry Fieldhand DIONNE BRAND (b. 1953) from Thirsty from Inventory ELISE PARTRIDGE (b. 1958) In the Barn Rural Route Chemo Side Effects: Memory Chemo Side Effects: Vision First Days Back At Work GEORGE ELLIOTT CLARKE (b. 1960) The River Pilgrim: A Letter Monologue for Selah Bringing Spring to Whylah Falls Ecclesiastes Lear of Whylah Falls This Given Day STEVEN HEIGHTON (b. 1961) The Machine Gunner Address Book Le Vaisseau d’Or In Sparta Selected Monsters LISA ROBERTSON (b. 1961) How to Judge Battle Cry from The Men DAVID MCGIMPSEY (b. 1962) In Memoriam: A.H. Jr. Index of Authors Acknowledgements
[T]he most daring reassessment of our country's canon in years... In a better world, which is to say an alternate reality, this compact and highly readable anthology would be the book your CanLit course makes you buy.
Jason Guriel, Maisonneuve Riots broke out in downtown Montreal earlier in the month after the launch of a new anthology of contemporary Canadian verse at the Bloated Behemoth Book Store. That book, it was later discovered by a man who had subjected it to forensic examination, contained shockingly little verse by poets born in Canada. Several hailed from south of the border, and a third is said to have been resident in London (England), earning a meager living as an antiquarian book dealer and 'practising orientalist', for the past several decades. Margaret Atwood was not even represented in the collection... Michael Glover, The Bow-Wow Shop The reader...will experience sweet discoveries ranging from the territory of early twentieth century poets W.W.E. Ross and Alfred Bailey to later poets John Thompson and David Wevill, from French-Canadian Anne Hébert to the likes of Robyn Sarah, Don Coles, and Mary Dalton. Ingrid Ruthig, Northern Poetry Review Swift and Jones... have put together a wonderful anthology. Michael Lista, National Post This is a lovely book; full poems that really stand up, and to which you will keep returning. Ian Pople, The Manchester Review I could make a list of all my favourite Canadian poets who are excluded from this volume because of the editors' high modernist interests. But they have defined the story they want to tell, and they have every right to do so. There is no rule saying that editors have to be democratic or representative in their choices. And, given those choices, I like what they have done. I don't even have to be British to appreciate it! Robert Lecker, Canadian Literature I can think of no equivalent for what Swift and Jones have attempted: to rebuild a national canon from scratch using the most obscure figures. Is it subversive? Well, factor in that Carcanet is one of the U.K.'s leading poetry presses, that the last foreign-published Canadian poetry anthology appeared half a century ago, and that many British readers will take their first cues about Canadian poetry from this book - then you get a sense of the exhilarating sneak attack that has been perpetrated on our image abroad. Carmine Starnino, Quill & Quire Praise for Evan Jones 'Greek-Canadian poet Evan Jones certainly appears to inhabit easily the worlds of first millennium Rome and early second millennium Byzantium brought to life in these poems [...] It is almost reassuring in our even more turbulent times, to hope that a future Evan Jones might cast an equally cold eye on the reign of our own later emperors.' The High Window 'These are quiet poems that manage, with remarkable and deceptive simplicity, to get under the skin. I am delighted that lockdown made me acquainted with them.' Antony Mair 'The trajectory of Jones' style deepens and intensifies as the book goes on; its music beautifully controlled to gather and sharpen. But, although his subjects are all aristocrats, there isn't a grandiloquent, unnecessary phrase in the whole collection. Plutarch and Gibbon may sit behind Evan Jones but Later Emperors is a lovely, unique working, whose contemporary relevance is never overt but subtly and sensitively implicit.' Ian Pople, The North 'Jones's spare, evocative, and imagistic verse offers, through half-glimpsed narratives of ambition and loss, a rumination on the transience of things in this world [...] Later Emperors is a lyrical book, somber yet lovely. Rare among works of poetry today, it offers not only beauty but also a wisdom rooted in time and timelessness.' Benjamin Myers, World Literature Today 'Later Emperors shows it's possible to write with the "sound of sense" while creating an allegory for our time. Jones uses the Roman Empire as a blueprint for learning from history, But his poems are not judgmental. They let readers see venality and decline, drawing from a range of personas steeped in the capricious nature of twin political valences' power and appetite.' Nyla Matuk, The Vehicule Press Blog 'The poems in Later Emperors surprise and delight like those incisive, wry and honest inscriptions that come down to us from antiquity seemingly having survived everything, not least history's ravages. At the same time, there's a deeply distinctive literary wit at work in this book as Jones's lines limn (and update) the lives of the fleetingly powerful with the acuity and concision of Martial, the wit and heart of Horace. How those later emperors resemble the tyrants of our own time! What a skilled guide to them we have in Evan Jones!' Don Share Evan Jones is an intelligent, allusive poet who has elegantly synthesized his roots in Greek culture. These quietly serious poems throw up glimpses of dream and myth, and do so in a context of real thoughtfulness, free of rhetoric but rich in formal control. Fiona Sampson
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