Carcanet Press - The Instruments of Art

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Excerpt
Author
Contents
Awards
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On the translation of power into love:
there is no intervention once it has begun;
and it has - begun. Fresh are the pastures, and above
snow-drifts, crocus-fingers reach towards sun.

from 'The Artist: I Condemned to Death'

The Instruments of Art uses poetry to explore the lives and works of Edvard Munch, Vincent Van Gogh and others, the personal sacrifice involved, the singular vision and inspiration that set them in motion. God's creation, some argue, is a work of art, and Christ's life and death an expression of it. Deane follows this thread in a series of sonnets based on the Stations of the Cross. Another series of poems takes John the Evangelist, 'the one whom Christ loved', as the voice of a poet expressing the hard love and personal commitment demanded by Christ; Deane conducts this exploration experimentally, contrasting and complimenting it with his personal experience of faith through suffering and love. The Old Testament story of Jacob's search for meaning is retold through the poet's own memories of family and becomes an emblem of the universal search for truth and peace. This is a collection written by the light of faith yet shadowed by doubt; it develops an instinctive approach to art that offers an understanding in terms of the highest reaches of suffering humanity.

Table of Contents

I The Instruments of Art

    Canvas

    Heirs to a Different Century

    Late October Evening

    Riverdown

    The Gift

    Rhododendron, Fuchsia, Thorn

    By the Banks of the Dodder

    The Visitors

    The Rowan Tree

    The Meadows of Asphodel

    Adagio Molto

    Three Rivers

    The Instruments of Art

II The Artist

III The Old Yellow House

    House at the Crossroads

    The Study

    Carpenter

    The Monastery

    Sheltering Places

    The Mysteries

    The Ship

    The Siege

    The Old Yellow House

IV According to John

    You

    One for Sorrow

    Lady

    The Jacaranda Tree

    The Divine Office

    Of Misery: The Other John

    Suffer the Children

    Master of the Feast

    Angelus

    Drinking the Spring

    In the Teeth of the Wolf

    The Gravity of Flesh

    Lazarus, and the Migration of Storks

    Carnival of the Animals

    The Aftertaste of Bitterness

    Belov�d

    Report from a Far Place

    The Light of Dawn

    Prayer

V An Exemplary Fiction

    The Red Gate

    Mushrooms

    The Big Men

    The Mother

    Husbandry

    The Poem

    Spaces of Peace

    Brothers

    Age of Foolishness

    Blessing

    Patricia's Story

    Spaces before War

    The Marriage Settlement

    On Land and Sea

    The Dromedary Caravans

    By the River

    The Chaplet

VI Seasons in Hell

    Holy Saturday

    The Artist in his Youth

    Boot-Prints in Snow

    Terre Cuite

    Hero

    Foxgloves

    Redemption

    Daffodils

John F. Deane was born on Achill Island, Co Mayo, Ireland. He is the founder of Poetry Ireland, the National Poetry Society, and The Poetry Ireland Review . He is founder of the Dedalus Press, of which he was editor from 1985 until 2006. In 2006 he was visiting scholar in ... read more

Awards won by John F. Deane Short-listed, 2016 Irish Times Poetry Now Award (Semibreve) Winner, 2011 Golden Key of Smederevo award

Praise for John F. Deane 'This generous selection of his work does several things, but perhaps chief among them is to highlight his obsessions, his touchstones and totems, by gathering work from across his many books that demonstrates a striking coherence.'
Declan Ryan, The Irish Times
'Regular readers of this Irish poet have come to expect such brilliant phrasemaking - and the risks that accompany it. For the poems collected here are indeed an "edgy festival", as full of unexpected plunges into the metaphysical as of glittering physical detail, "written... in the on-going love-affair between self and world".'
Fiona Sampson, The Guardian
'In Naming of the Bones, Deane has assembled poetry of the most sublime beauty, arising out of thought processes that are profoundly Catholic in their early formation, yet now embracing the widest possible Christian earthliness. He is unceasing, relentless, in his thinking quest for the incomprehensible heavens, for that sense of godliness between saffron light and full moon.'

Thomas McCarthy, The Irish Catholic

'The highest levels of poetic craft and persuasion... Naming of the Bones is not just a spiritual journey; it is a lyrical one, filled with sonic texturing at the level of song and original figurative language that is never ornamental but always essential.'

Fred Dings, World Literature Today

'Deane is a skilled observer-of-things and he has the gift of a silvery tongue, the true poet's flair with words...All this is the assured writing of someone who has spent a lifetime in the contemplation of such things.'

Stuart Henson, London Grip

'It is a long, grave, sober, deep-grounding book, as elegant and eloquent as it is fragile.'

Michael Glover, The Tablet

'Deane finds the embedded music of particular moments - the inscape of them - and understands their cosmic vitality... [he] draws us into deeper listening and invites us into sacred, transcendent encounter.'

Michael P. Murphy, Presence: A Journal of Catholic Poetry 2019

'John Deane invites all human beings, or pilgrims, whether Christian or not, to partake in his revelatory, redemptive collection... a true cosmic poetry for all of us, in all time.'

Patricia McCarthy, Agenda: Ekphrastic Issue

'Master-sonneteer, the Teilhard de Chardin of Irish poetry, Achill chronicler and gazer at the heavens, John F. Deane has created a real beauty of a collection in Dear Pilgrims.'

Thomas McCarthy, Poetry Ireland Review

  'These are words of a poet who lives history, who breathes at one with the world around him. Deane reminds the reader that we live only for a short while on this rock in space but that that time is precious and profound. We are all dear pilgrims - whether we realise it or not.'
Dublin Review of Books
'These poems are rich, evocative, replete with natural imagery, searching to know and express the unknowable.'
Niamh Pattwell, The Furrow
'Deane's work has always been distinguished by the wholeness of it's vision, and the poems of Dear Pilgrims are no exception: the joy and compassion of his responses to the natural world are of a piece with his spiritual preoccupations, and gesture towards his poetic forebears, in particular Hopkins and Kavanagh.'
Caitriona O'Reilly, The Irish Times
  'Both these collections (Dear Pilgrims & The White Silhouette by James Harpur) give the lie to the idea that it is no longer possible to think and write creatively and freshly about religion in modern poetry: both Deane and Harpur look back for some of their insights, especially biographically, but their poetry remains conspicuously watching, tasting and touching today's world.'
Stride Magazine
  'There is light and muscularity in these poems that sometimes unexpectedly recalls Ted Hughes'
Stride Magazine
'On a simple level, the poems in John F Deane's Semibreve (Carcanet) are elegies for the past and specifically for a lost brother. More profoundly, they teach us how bereavement, touched by a poet's tongue, can become a shared gift: "wonders of the flesh and spirit, a road-map for a shattered faith"'.
The Guardian   'Music, a stony, damp and deeply alive landscape (both Ireland and the Holy Land), a passionate and searching engagement with God - specifically with the local and physical God that is the central figure of the gospels - these are poems with all of John Deane's familiar richness. A deeply welcome collection.'
Rowan Williams 'Deane is a true poet. I have not space here to do him justice'
Helena Nelson, Ambit 'Deane is an exemplary poet.'
Gerard Smyth, Warwick Review
'The power of Toccata and Fugue lies in its beautiful rendering of unbeautiful things. Deane takes as his subjects what might ordinarily make one turn away: road kill, snared vermin, kittens in a sack weighed with stones for drowning, a seal washed ashore to die, lambs taken for slaughter, worms hooked for fishing and snails tortured by a child. Yet there is nothing pathological about it. Compassion not cruelty motivates the speakers in his poems whose unwavering gaze attests to their engagement with these subjects.'
Georgia Scott, Poetry Salzburg Review Autumn 2002

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The Instruments of Art John F. Deane Categories: 21st Century, Christianity, Irish Imprint: Carcanet Poetry Publisher: Carcanet Press Available as: Paperback (96 pages) (Pub. Nov 2005) 9781857547863 Out of Stock Description Excerpt Author Contents Awards Reviews On the translation of power into love: there is no intervention once it has begun; and it has - begun. Fresh are the pastures, and above snow-drifts, crocus-fingers reach towards sun. from 'The Artist: I Condemned to Death' The Instruments of Art uses poetry to explore the lives and works of Edvard Munch, Vincent Van Gogh and others, the personal sacrifice involved, the singular vision and inspiration that set them in motion. God's creation, some argue, is a work of art, and Christ's life and death an expression of it. Deane follows this thread in a series of sonnets based on the Stations of the Cross. Another series of poems takes John the Evangelist, 'the one whom Christ loved', as the voice of a poet expressing the hard love and personal commitment demanded by Christ; Deane conducts this exploration experimentally, contrasting and complimenting it with his personal experience of faith through suffering and love. The Old Testament story of Jacob's search for meaning is retold through the poet's own memories of family and becomes an emblem of the universal search for truth and peace. This is a collection written by the light of faith yet shadowed by doubt; it develops an instinctive approach to art that offers an understanding in terms of the highest reaches of suffering humanity. Table of Contents I The Instruments of Art Canvas Heirs to a Different Century Late October Evening Riverdown The Gift Rhododendron, Fuchsia, Thorn By the Banks of the Dodder The Visitors The Rowan Tree The Meadows of Asphodel Adagio Molto Three Rivers The Instruments of Art II The Artist III The Old Yellow House House at the Crossroads The Study Carpenter The Monastery Sheltering Places The Mysteries The Ship The Siege The Old Yellow House IV According to John You One for Sorrow Lady The Jacaranda Tree The Divine Office Of Misery: The Other John Suffer the Children Master of the Feast Angelus Drinking the Spring In the Teeth of the Wolf The Gravity of Flesh Lazarus, and the Migration of Storks Carnival of the Animals The Aftertaste of Bitterness Belov�d Report from a Far Place The Light of Dawn Prayer V An Exemplary Fiction The Red Gate Mushrooms The Big Men The Mother Husbandry The Poem Spaces of Peace Brothers Age of Foolishness Blessing Patricia's Story Spaces before War The Marriage Settlement On Land and Sea The Dromedary Caravans By the River The Chaplet VI Seasons in Hell Holy Saturday The Artist in his Youth Boot-Prints in Snow Terre Cuite Hero Foxgloves Redemption Daffodils John F. Deane was born on Achill Island, Co Mayo, Ireland. He is the founder of Poetry Ireland, the National Poetry Society, and The Poetry Ireland Review . He is founder of the Dedalus Press, of which he was editor from 1985 until 2006. In 2006 he was visiting scholar in ... read more Awards won by John F. Deane Short-listed, 2016 Irish Times Poetry Now Award (Semibreve) Winner, 2011 Golden Key of Smederevo award Praise for John F. Deane 'This generous selection of his work does several things, but perhaps chief among them is to highlight his obsessions, his touchstones and totems, by gathering work from across his many books that demonstrates a striking coherence.' Declan Ryan, The Irish Times 'Regular readers of this Irish poet have come to expect such brilliant phrasemaking - and the risks that accompany it. For the poems collected here are indeed an "edgy festival", as full of unexpected plunges into the metaphysical as of glittering physical detail, "written... in the on-going love-affair between self and world".' Fiona Sampson, The Guardian 'In Naming of the Bones, Deane has assembled poetry of the most sublime beauty, arising out of thought processes that are profoundly Catholic in their early formation, yet now embracing the widest possible Christian earthliness. He is unceasing, relentless, in his thinking quest for the incomprehensible heavens, for that sense of godliness between saffron light and full moon.' Thomas McCarthy, The Irish Catholic 'The highest levels of poetic craft and persuasion... Naming of the Bones is not just a spiritual journey; it is a lyrical one, filled with sonic texturing at the level of song and original figurative language that is never ornamental but always essential.' Fred Dings, World Literature Today 'Deane is a skilled observer-of-things and he has the gift of a silvery tongue, the true poet's flair with words...All this is the assured writing of someone who has spent a lifetime in the contemplation of such things.' Stuart Henson, London Grip 'It is a long, grave, sober, deep-grounding book, as elegant and eloquent as it is fragile.' Michael Glover, The Tablet 'Deane finds the embedded music of particular moments - the inscape of them - and understands their cosmic vitality... [he] draws us into deeper listening and invites us into sacred, transcendent encounter.' Michael P. Murphy, Presence: A Journal of Catholic Poetry 2019 'John Deane invites all human beings, or pilgrims, whether Christian or not, to partake in his revelatory, redemptive collection... a true cosmic poetry for all of us, in all time.' Patricia McCarthy, Agenda: Ekphrastic Issue 'Master-sonneteer, the Teilhard de Chardin of Irish poetry, Achill chronicler and gazer at the heavens, John F. Deane has created a real beauty of a collection in Dear Pilgrims.' Thomas McCarthy, Poetry Ireland Review 'These are words of a poet who lives history, who breathes at one with the world around him. Deane reminds the reader that we live only for a short while on this rock in space but that that time is precious and profound. We are all dear pilgrims - whether we realise it or not.' Dublin Review of Books 'These poems are rich, evocative, replete with natural imagery, searching to know and express the unknowable.' Niamh Pattwell, The Furrow 'Deane's work has always been distinguished by the wholeness of it's vision, and the poems of Dear Pilgrims are no exception: the joy and compassion of his responses to the natural world are of a piece with his spiritual preoccupations, and gesture towards his poetic forebears, in particular Hopkins and Kavanagh.' Caitriona O'Reilly, The Irish Times 'Both these collections (Dear Pilgrims & The White Silhouette by James Harpur) give the lie to the idea that it is no longer possible to think and write creatively and freshly about religion in modern poetry: both Deane and Harpur look back for some of their insights, especially biographically, but their poetry remains conspicuously watching, tasting and touching today's world.' Stride Magazine 'There is light and muscularity in these poems that sometimes unexpectedly recalls Ted Hughes' Stride Magazine 'On a simple level, the poems in John F Deane's Semibreve (Carcanet) are elegies for the past and specifically for a lost brother. More profoundly, they teach us how bereavement, touched by a poet's tongue, can become a shared gift: "wonders of the flesh and spirit, a road-map for a shattered faith"'. The Guardian 'Music, a stony, damp and deeply alive landscape (both Ireland and the Holy Land), a passionate and searching engagement with God - specifically with the local and physical God that is the central figure of the gospels - these are poems with all of John Deane's familiar richness. A deeply welcome collection.' Rowan Williams 'Deane is a true poet. I have not space here to do him justice' Helena Nelson, Ambit 'Deane is an exemplary poet.' Gerard Smyth, Warwick Review 'The power of Toccata and Fugue lies in its beautiful rendering of unbeautiful things. Deane takes as his subjects what might ordinarily make one turn away: road kill, snared vermin, kittens in a sack weighed with stones for drowning, a seal washed ashore to die, lambs taken for slaughter, worms hooked for fishing and snails tortured by a child. Yet there is nothing pathological about it. Compassion not cruelty motivates the speakers in his poems whose unwavering gaze attests to their engagement with these subjects.' Georgia Scott, Poetry Salzburg Review Autumn 2002	Share this... Quick Links Carcanet Poetry Carcanet Classics Carcanet Fiction Carcanet Film Lives and Letters PN Review Video Carcanet Celebrates 50 Years! The Carcanet Blog We've Moved! read more Books of the Year read more One Little Room: Peter McDonald read more Collected Poems: Mimi Khalvati read more Invisible Dog: Fabio Morbito, translated by Richard Gwyn read more Dante's Purgatorio: Philip Terry read more
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