Carcanet Press - Eavan Boland (1944

About
Reviews
Awards

Born in Dublin in 1944, Eavan Boland studied in Ireland, London and New York. Her first book was published in 1967. She taught at Trinity College, University College Dublin, Bowdoin College in Maine, and at the University of Iowa. She was Mabury Knapp Professor in the Humanities at Stanford University, California. A pioneering figure in Irish poetry, Boland's works include The Historians (2020), which won the Costa Poetry Award 2020 and was a 2020 Book of the Year in the TLS, Guardian, Sunday Independent and Irish Times, The Journey and other poems (1987), Night Feed (1982), The Lost Land (1998) and Code (2001). Her poems and essays appeared in magazines such as The New Yorker, The Atlantic, Kenyon Review and American Poetry Review. She was a regular reviewer for the Irish Times. She divided her time between California and Dublin where she lived with her husband, the novelist Kevin Casey. Eavan died in Dublin on 27th April 2020.

'Eavan Boland's essays are the work of an ever-generous, insightful and knowing cartographer. No one articulates the complexities, challenges and nuances of being an Irish female poet like she does in these original, arresting and trailblazing essays. Citizen Poet is a must-read for anyone interested in poetry, identity and the responsibilities of the artist.'
Victoria Kennefick 'Boland's essays remind us [...] of the change she helped bring about, which is nothing less than the redefinition and expansion of what Irish poetry â what any poetry â can be.'
Heather Clark

'...She has a dazzling gift for marrying the poem's narrative to its underlying considerations and themes, her carefully enacted restraint heightening the impact of the frequently stunning closing image.'

Maya C. Popa, Poetry Review

'The poems, all of them, have that familiar, spare, feel to them - the clarity of cold water, the measured cadence, the plain diction and the leaping insight so characteristic of her mature work - but there is grief here of a depth and of a kind that chills the heart... against the darkness that eddies and gathers in this, the last book we will have from her hand, there is indeed redemptive light'

Theo Dorgan, Dublin Review of Books

'This is a fitting tribute to a poet whose work has revised history as we know it and whose talent will be much missed.'

Poetry Book Society Winter Bulletin

'The first poem in Boland's book, The Fire Gilder, is one of the best Irish poems of the past half-century.'

Colm Tóibín, The Irish Times

'[The Historians] zooms in with characteristic musicality and intelligence on what the stories that are often overlooked - those of women'

Rishi Dastidar, The Guardian Poetry Books of the Year 2020

'It is, as came to be expected from Boland, filled with stories of ordinary Irish women, sensitively rendered in her understated verse. In revisiting the otherwise erased experiences of her subjects, Boland asks us to reconfigure our own understanding of the past, though she acknowledges the difficulties of that, too'
The New Statesman
'There's a poignancy here that is hard to avoid... This modest collection is welcome and those who have not read Boland - few though they may be - will find here at least an introduction to her always-potent art. For others, it will serve as a coda to a poetic life well lived.'
Books Ireland Magazine
'It feels, reading it in the wake of her death, to be unsettlingly prophetic, a fitting close to the life's work of a great poet'
Seán Hewitt, The Irish Times
'Over all her collections, her developing forms and subjects, the fabric of domestic life, myth, love, history and Irish rural landscape, have kept their commitment to lyrical grace and feminism.'
Ruth Padel, Independent on Sunday 'Boland is one of the finest and boldest poets of the last half-century.'
Elaine Feinstein, Poetry Review

'Eavan Boland's work continues to deepen in both humanity and complexity...her highly articulated ars poetica has already remapped the territory of contemporary poetry.'
Fiona Sampson, Irish Times

Eavan Boland's A Journey with Two Maps: Becoming a Woman Poet contains essays both personal and public written in a tone urgent and wise, with astute observations on her own trajectory as a poet and the work of Elizabeth Bishop, Sylvia Plath and Paula Meehan, among others.
Colm Toibin, The Irish Times, Our Favourite Books of 2011

Awards won by Eavan Boland (1944 - 2020) Winner, 2020 Costa Poetry Award
(The Historians) Winner, 2017 Bob Hughes Lifetime Achievement Award

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Eavan Boland (1944 - 2020) Books by this author: Citizen Poet The Historians A Woman Without a Country Eavan Boland: A Poet's Dublin New Selected Poems A Journey With Two Maps Selected Poems (Ed.) Eavan Boland Sourcebook Domestic Violence Object Lessons New Collected Poems Three Irish Poets (Ed.) Code The Lost Land Outside History Collected Poems Night Feed In a Time of Violence Selected Poems The Journey and Other Poems About Reviews Awards Born in Dublin in 1944, Eavan Boland studied in Ireland, London and New York. Her first book was published in 1967. She taught at Trinity College, University College Dublin, Bowdoin College in Maine, and at the University of Iowa. She was Mabury Knapp Professor in the Humanities at Stanford University, California. A pioneering figure in Irish poetry, Boland's works include The Historians (2020), which won the Costa Poetry Award 2020 and was a 2020 Book of the Year in the TLS, Guardian, Sunday Independent and Irish Times, The Journey and other poems (1987), Night Feed (1982), The Lost Land (1998) and Code (2001). Her poems and essays appeared in magazines such as The New Yorker, The Atlantic, Kenyon Review and American Poetry Review. She was a regular reviewer for the Irish Times. She divided her time between California and Dublin where she lived with her husband, the novelist Kevin Casey. Eavan died in Dublin on 27th April 2020. 'Eavan Boland's essays are the work of an ever-generous, insightful and knowing cartographer. No one articulates the complexities, challenges and nuances of being an Irish female poet like she does in these original, arresting and trailblazing essays. Citizen Poet is a must-read for anyone interested in poetry, identity and the responsibilities of the artist.' Victoria Kennefick 'Boland's essays remind us [...] of the change she helped bring about, which is nothing less than the redefinition and expansion of what Irish poetry â what any poetry â can be.' Heather Clark '...She has a dazzling gift for marrying the poem's narrative to its underlying considerations and themes, her carefully enacted restraint heightening the impact of the frequently stunning closing image.' Maya C. Popa, Poetry Review 'The poems, all of them, have that familiar, spare, feel to them - the clarity of cold water, the measured cadence, the plain diction and the leaping insight so characteristic of her mature work - but there is grief here of a depth and of a kind that chills the heart... against the darkness that eddies and gathers in this, the last book we will have from her hand, there is indeed redemptive light' Theo Dorgan, Dublin Review of Books 'This is a fitting tribute to a poet whose work has revised history as we know it and whose talent will be much missed.' Poetry Book Society Winter Bulletin 'The first poem in Boland's book, The Fire Gilder, is one of the best Irish poems of the past half-century.' Colm Tóibín, The Irish Times '[The Historians] zooms in with characteristic musicality and intelligence on what the stories that are often overlooked - those of women' *Rishi Dastidar, The Guardian* Poetry Books of the Year 2020 'It is, as came to be expected from Boland, filled with stories of ordinary Irish women, sensitively rendered in her understated verse. In revisiting the otherwise erased experiences of her subjects, Boland asks us to reconfigure our own understanding of the past, though she acknowledges the difficulties of that, too' The New Statesman 'There's a poignancy here that is hard to avoid... This modest collection is welcome and those who have not read Boland - few though they may be - will find here at least an introduction to her always-potent art. For others, it will serve as a coda to a poetic life well lived.' Books Ireland Magazine** 'It feels, reading it in the wake of her death, to be unsettlingly prophetic, a fitting close to the life's work of a great poet' Seán Hewitt, The Irish Times 'Over all her collections, her developing forms and subjects, the fabric of domestic life, myth, love, history and Irish rural landscape, have kept their commitment to lyrical grace and feminism.' Ruth Padel, Independent on Sunday 'Boland is one of the finest and boldest poets of the last half-century.' Elaine Feinstein, Poetry Review 'Eavan Boland's work continues to deepen in both humanity and complexity...her highly articulated ars poetica has already remapped the territory of contemporary poetry.' Fiona Sampson, Irish Times Eavan Boland's A Journey with Two Maps: Becoming a Woman Poet contains essays both personal and public written in a tone urgent and wise, with astute observations on her own trajectory as a poet and the work of Elizabeth Bishop, Sylvia Plath and Paula Meehan, among others. *Colm Toibin, The Irish Times, Our Favourite Books of 2011* Awards won by Eavan Boland (1944 - 2020) Winner, 2020 Costa Poetry Award (The Historians) Winner, 2017 Bob Hughes Lifetime Achievement Award	Share this... Quick Links Carcanet Poetry Carcanet Classics Carcanet Fiction Carcanet Film Lives and Letters PN Review Video Carcanet Celebrates 50 Years! The Carcanet Blog One Little Room: Peter McDonald read more Collected Poems: Mimi Khalvati read more Invisible Dog: Fabio Morbito, translated by Richard Gwyn read more Dante's Purgatorio: Philip Terry read more Billy 'Nibs' Buckshot: John Gallas read more Emotional Support Horse: Claudine Toutoungi read more
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