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Collected Poems and TranslationsRobert Wells10% off
Categories: 20th Century, 21st Century, Translation
Imprint: Carcanet Poetry Publisher: Carcanet Press Available as: Paperback (320 pages) (Pub. Sep 2009) 9781847770110 £14.95 £13.45
Robert Wells writes poems of memory, a memory so intense it conjures places, objects and desires with their original force and freshness. The high points of a life are celebrated, and personal memories and the common memories of a culture are brought together.
This collection of poetry and translations draws together the threads of his work in eight linked sections of sensuous evocation. There are poems set on the coast of Exmoor and in the hill country of central Italy; some concerned with erotic friendship, with travel and landscape. In the final two sections, his celebrated translations of Virgil's Georgics and the Idylls of Theocritus fuse lived experience with a deep knowledge of the original texts. Cover image: The Fig Gatherers by Aristide Maillol (Paris and DACS, London 2009). Cover design by StephenRaw.com.
Contents
Foreword 1 The Winter’s Task The Stream (‘Inopportune desire!’) Bonfire (‘The fire burns deepest at dusk’) His Thirst Love’s Default The Colonist Emblem The Hero ‘Life was not in your hands’ The Will A Caution New Year The Young Woodman Woodman’s Song On the Hillside On the Doorstep The Axehandle At the Pathside After Haymaking Haymakers at Dusk Haymaker At the Back of his Mind Impasse The Day (‘I stand on the doorstep’) Morning (‘Like mist from water’) At Dusk Meridian Vesperal A Fantasy Larchtrees ‘A patch of grass’ ‘The fogbound dusk’ A Stag at Sea The Fawn ‘At the head of the coomb’ Poaching on Exmoor Clearing Ground Bonfire (‘The heaviness of the waste’) Six Emblems A Motto After the Fire Making a Bonfire ‘When days open’ The Forester Ashton A Memory of Exmoor Before Sleep 2 Further on Down ‘Sure in its strength’ Cattlemen Breakfast Shape of Air Vendemmia Asleep Contadino (‘He goes under the deep-coloured shelter’) The Mill The Bathing Place (‘He turns feeling the straw’) Afield The Attributes ‘O wilful spirit’ A Dream Off the Path Deus Loci The Unnamed Pool At Vigna La Corte The Pool (‘There is no reflection’) A Greeting At Midday ‘Nothing but the flicker of leaf shadow’ For Pasolini Derelict Landscape The Last of Summer Autumnal Seasonal Pastoral Shadowtail Summer Noon Autumn Night Summer Osier Bank A Storm Broken Weather Outside 57 After Football Contadino (‘I am not these: stones, a handful of earth’) Hill-Path, Meadow, Cascade Orchid Field The Valley Alone At Moonrise Vintage The Bathing Place (‘The body, wearied by labour’) Hang-Glider Bather On the Same Diving In Torrent A Last Look Further Notes At Ponte Margheruta Youth 3 Monte Gennaro Epigrams, One and Two The Pool (‘What can the water be’) The Day (‘Slow climb through darkness’) The Men who Built the Paths The Paths Morning Moments Sunrise (‘Your face still blurred with youth’) ‘I had no way’ Hillside The Bathers Monte Gennaro Two Hill-Pools Ruined Shrine The Spinney Panic The Stream (‘Pouring of water through the night’) Bather and Horseshoe The Last of Monte Gennaro 4 Sabine Portraits Antonio Franco Giovanni: Recollections of the Mill Giuseppe Maurizio Adamo A Sequel Improvements Angelo Hang-Gliding La Risecca Castagneto Maria Elisabetta Near Civitella Licenza 5 The Trance Morning (‘I watch the shadows of trees’) ‘Runner, unwearied’ Fantasy Two Shepherd Boys with Dogs Fighting Night Piece (‘You have freed me ’) Bedsit in September The Kites While Dancing The Slope Night Piece (‘Your sanity was my presence’) Bengal Nights Sybarites The Cookbook Harangue To Let Traces Indus The Enjoyment A Blazon Stressed Syllables The Lake Five Sketches A Likeness Before a Journey Tufan Express Small-Hours Stop At the Hill-Station Hill-Station Souvenir An Ending There 6 The Last Caliph Virginity Waterfall ‘Hardly dwelt in’ The First Thing Islamic Shrine Sassanian Ruin Median Palace No Village Was Too Remote A Coin Bread and Brotherhood Middle Age The Fault At the Well The Pillar Paestum Quatrain Gran Sasso The Fields of Self Hellenistic Torso The Plane Tree The Statue Aspromonte Leaving Common Sparrow A Robin Richard Wilson in Wales Palm Leaves The Alfred Jewel Chinese Dish Angel A Photograph If Once The Icknield Way Sunrise (‘Thin warmth toward which the body turns’) Epigram The Knot Departure The Changeling Three Oxford Poems The Bravest Jump At Old Hall Mr Thewes Old Boy The Thirteenth Book Middle-Aged Query Paysage Moralisé Portrait of a Virtuoso By the Loire TRANSLATIONS 7 Virgil, The Georgics Georgic 1 Georgic 2 Georgic 3 Georgic 4 8 Theocritus, The Idylls 1 The Passion of Daphnis 2 Pharmaceutria 3 The Lovesongs 4 The Herdsmen 5 Goatherd and Shepherd 6 Damoetas and Daphnis 7 The Harvest Festival 10 The Reapers 11 The Cyclops 12 The Touchstone 13 Hylas 14 Aeschines and Thyonichus 15 The Festival of Adonis 16 The Graces 17 Encomium to Ptolemy 18 Helen’s Epithalamium 22 The Dioscuri 24 The Childhood of Heracles 26 The Bacchae 28 The Distaff 29 Drinking Song 30 The Fever NOTES AND INDEXES Notes on the Poems A Note on Translation The Georgics The Idylls Index of Titles Index of First Lines
'Robert Wells understands how finely man and nature are moulded to each other... The healing loneliness of hills and waters, and the solitary figures who move among them - bathers, wood-cutters, hay harvesters - are the setting and characters of Wells's poems.'
George Mackay Brown 'Wells is a quiet poet... he inherits the tender, threatening profundity of Edward Thomas.' Anne Stevenson 'Robert Wells's language is exact, the experience of the poem is deeply gone through, there is a constant desire to adhere to the truth as he apprehended it rather than to glamorize it. The inexpressible becomes expressed. At one point I started marking my favourite poems, but I like so many of them that I gave up.' Thom Gunn |
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