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In Search of Dustie-FuteDavid Kinloch
Categories: 21st Century, British, Scottish
Imprint: Carcanet Poetry Publisher: Carcanet Press Available as: Paperback (80 pages) (Pub. Aug 2017) 9781784103965 £9.99 £8.99 eBook (EPUB) Needs ADE! (Pub. Aug 2017) 9781784103972 £7.99 £7.19 To use the EPUB version, you will need to have Adobe Digital Editions (ADE) installed on your device. You can find out more at https://www.adobe.com/uk/solutions/ebook/digital-editions.html. Please do not purchase this version if you do not have and are not prepared to install, Adobe Digital Editions.
Shortlisted for the 2017 Saltire Society Poetry Book of the Year Award.
Who is Dustie-Fute? A vagrant, a hawker, a poet. A dustyfooted Scottish Orpheus. A stranger, a migrant, a ghost. In his search for Dustie-Fute, David Kinloch begins amid the Parisian floods of 1910: with the waters rising, a lonely giraffe speaks from the abandoned zoo, witness to what seems the end of the world. Other animals chime in, Dustie-Futes all, a hooved and humped chorus of watery sages. Elsewhere, two young college dudes quote Rilke at each other. Cain’s wife, the Virgin Mary and that eternal stepdad St Joseph draw on memories they didn’t know they had. In a series of feminist monologues, feisty biblical women seek revenge on their husbands and oppressors, before Dustie-Fute’s final incarnation as a Cavafy-reading Syrian refugee. Who is Dustie-Fute? Many are, and many have been. A fellowship of strangers across time: free spirits, survivors. Kinloch’s bestiary of forgotten voices spans apocalypse and salvage, elegy and humour. Mythic and erotic, his poems engage ecological disaster, LGBT art and politics, and that great resistance movement, love.
Awards won by David Kinloch
Winner, 2022 Cholmondeley Award (Society of Authors)
Short-listed, 2017 Saltire Society Poetry Book of the Year Award (In Search of Dustie-Fute)
Commended, 2011 The Scotsman's Book of the Year (Finger of a Frenchman)
Winner, 2004 Robert Louis Stevenson Memorial Award
'David Kinloch is one of the most innovative poets ever to come out of Scotland... his readers must be prepared to take a long voyage through language, imagination and space.'
Douglas Messerli, Hyperallergic 'Skill and vitality make this handsome publication a true and tender elegy for pleasures shared and love recalled.' Herald Scotland Praise for David Kinloch 'The multi-layered richness of the poems, varied in form and subject as they are, drew me in, even as they encouraged and required me to educate myself on Scottish terms and history.' Jeff Gundy, Poetry Salzburg 'As others have noted, this is a poet who can be tender, playful, sarcastic... This is a poet who lives in art and the world and moves between difficult realms as easily as the pedlar, troubadour, 'dustie-fute' who is the presiding spirit of his work.' Kathleen McPhilemy, The High Window 'Greengown: New and Selected Poems is a landmark book for David Kinloch. He was probably the first gay poet in the UK to address the AIDS crisis as it was happening, with a style that alternated crystal-clear lyric poems with rich prose poetry. His body of work is recognised for its humour, historic resonance and humanity.' Richard Price, The Poetry Society 'His work exemplifies a particularly queer style. I mean that in every sense. It is unflinching in talking about gay life and experience, but it is also askance, unsettling, always either swerving or tripping the reader. It is, as well, quair, as in the old Scots for a book. It is a bookish book. If anyone deserves to be considered the heir to Edwin Morgan, I would suggest it be Kinloch.' Stuart Kelly, The Scotsman 'A sparkling collection: full of sensuous richness and linguistic inventiveness. As the punning title of the book might suggest, there is much about fathers and sons, including the moving simplicity of a walk with a dead father 'and then/I let him go,/but this moment/which is far the hardest pain/remains'. But Kinloch unrolls a convincing set of unexpected scenarios: outspoken excerpts from Roger Casement's diaries intercut with the horrors of the Belgian oppression in Africa; tightly drawn translations of Celan into Scots; and a most impressive long poem, 'Baines His Dissection', where a medical man is seen embalming the body of his friend and lover, against the background of a brilliantly evoked Middle East of the seventeenth century.' Edwin Morgan |
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